Monday, October 17, 2016

Redesigning Women: Television After the Network Era

In her book, Redesigning Women: Television After the vane Era, Amanda Lotz explores the depiction of single cleaning ladyish characters on television and what she calls the parvenu char cleaning adult female. Published in 2006, Lotzs examination of the in the raw womanhood is defined by many a(prenominal) characteristics, including an emphasis on emancipation, successfulness, and dating. Now, near ten years subsequently Lotzs book was setoff published, the forward-looking woman after part still be seen on television but with or so notable evolutions. In fresh years, the TV serial publication Girls and hand nigh metropolis have premiered, well-favored voice to a entirely new new woman, whom I will call the newest woman. In my examination of the newest woman I will study the pilot light episodes of both Broad City and Girls to explore the new and one-time(a) ways in which this newest woman has manifested. While this newest woman fates some characteristics with Lotz s new woman, she appears to be even unripeneder, more sexually enlightened, and struggling more richly under the weight of her independence. In order to examine this transformation, I will be equivalence and contrasting three precise aspects of Lotzs new woman to the newest woman found in Girls and Broad City: her occupational group or navigation of independence and her sexuality.\n saucy woman characters passim television history generally have been single girls, young women who seek jobs in the city prior to marriage (Lotz 88). The series Broad City and Girls share some similarities with this new woman: both shows center roughly a group of primarily single women in their twenties living in New York City. Thus, like Lotzs new woman, these single women also be lives within a metropolis setting. While unmarried, Lotzs new woman is depicted as a successfully free lance career woman in her early thirties (90). In both Girls and Broad City, however, the newest woman differs fro m the new...

No comments:

Post a Comment